To
do: Standards: Core : pills, exercise, mail, (missing) French, job, medical , Work hunt,
Write short forms for Encyclopdia Ad hot docs -Read real mail -go to Store -WRite real jounral
Dice -Ad Astrra -September Curling
-Order library books via long distance, Maze of Peril-Call visa, Wall Markt
-Gary Con- next year
-Music teacher research-teacher college research-Endgame, by Beccet Research-groo on-Call Ian about above: Gary Con, Finders, and Marshell, and print outs. -Scan character blanks.
-SNAP
-Clean,
-Medical
-Find out where my class is (now)
-Group on check
-Mail
-Read
-Write
-Courage my love
-twitter
-update bying sties
-Make copy of Taylor Swift, rate
-Make up to date missing list.
-Briallnt
tutor
-Photos -DOLLAR STORE: BAGS FOR CUT OUTS -ORGANIZE CUT OUTS -Finish writing ledgends of tommrow gmail Print set + 14y print call pils walk shower -TIFF VOLUNTEER -Doctor -Degree -Walk -Fitness center -Phobe call -Bike -Lost List -Good Will Luggage -Hard Drive -Bank Check (highest priority)
✅ Good contests & displays for documentary / historical‑culture series
Contest / Show
What it offers / Why it fits
The Artist Gallery Awards – Documentary Photography Contest 2025
Accepts thematic documentary/photo‑essay submissions (single photos or series). Gives cash prize + publication/feature in their magazine for winners. Deartline+2Photography Competitions 2025+2
Royal Photographic Society (RPS) – Documentary Photography Awards 2025
International award; open to new and experienced photographers; your social‑history / media‑culture series could fit well. Entry doesn’t require membership. rps.org
APA Awards (American Photographic Artists) – 2025 Competition
Has a “Series” category (2–6 images) which matches a multi‑image project like your magazine‑display series. APA National
Chobi Mela International Photography Festival
Biennial international festival — often features documentary/social‑issue photography from around the world. Could be a venue for showing a culturally reflective series. Wikipedia
The Quiet Company Beneath the Sun — Edwards Gardens, September (Scholz)
In the gentle radiance of the afternoon sun, the garden presented itself as a small parliament of blossoms, each taking its place with the quiet dignity of characters in some rural chapter of life.
Foremost, and with no small measure of enthusiasm, stood the marigolds—stout fellows dressed in coats of flaming orange, their ruffled collars trembling ever so slightly in the breeze, as though eager to speak but waiting for a proper invitation.
Interspersed among them, like modest yet spirited companions, were the globe amaranths, each bearing a tiny, purple bonnet perched atop a slender stem. They appeared as the cheerful children of the assembly, their bright heads bobbing with innocent curiosity.
Behind these, forming a soft, chartreuse carpet, sprawled a bed of sedum—a most industrious groundcover, glowing with the steady, dependable light of one accustomed to keeping order beneath the more excitable flowers above.
Farther back still, in a wealth of pinks and magentas, bloomed the impatiens, whose gentle faces and well-mannered petals lent to the scene an air of polite society—ladies gathered in conversation beneath the afternoon shadows.
And standing upright at the garden’s rightmost edge, as if making a formal declaration, grew the violet spires of angelonia, each tiny blossom arranged with the precision of a clerk’s careful handwriting.
Thus the whole company, in colours bold and soft alike, composed a scene most pleasant to behold—an honest gathering of nature’s characters, meeting peaceably amid the stones